Why Simple Words Sell More Than Big Ones

big words

Have you ever been in a conversation with someone who peppers their speech with big, fancy words — just to show the world how smart they are?

Yeah. I run into that person a lot. And, I have to admit (gulp!) I used to be that guy.

I used to love big, fancy words — just because they were big and fancy. The bigger and fancier, the better. I used my dictionary and thesaurus to find big, fancy words to replace small, simple words.

Small and simple words are for small and simple people, I thought. Smart and sophisticated people use big words.

Iā€™m over that.

In marketing, smart people choose the RIGHT word. And the right word is often small and simple. Hereā€™s why:

If you want to connect with your audience, your words have to mean something to them. And if they need a dictionary to look up your big, fancy words, you wonā€™t connect with them.

Last month, I listened to one of those podcasts that recommends new music. A critic said this about a song: ā€œItā€™s casual profundity.ā€

The co-host agreed.

My reaction: ā€œWhat the heck is ā€œcasual profundity!?ā€

I looked it up. According to Websterā€™s, profundity means ā€œIntellectual depthā€ or ā€œthe quality or state of being profound or deep.ā€

Ahhh. Profund-ity equals profound. I get it now.

But I still donā€™t get what it means to describe a song as ā€œcasual profundity.ā€

This podcast was on National Public Radio. NPR attracts listeners who are smart and sophisticated, or who like to think they are.

So maybe it makes sense for an NPR critic to describe a song as ā€œcasual profundity.ā€ Maybe most NPR listeners know ā€œprofundityā€ without reaching for the dictionary. Maybe NPR listeners hear those big words, and it reminds them that they have big brains. Or maybe many of those big-brained NPR listeners nod along with the review — even if they donā€™t know what the big words mean.

Back in my big-word days, I would have nodded along like that. I would never admit not knowing ā€œprofundity.ā€

But no longer. I admit it now: ā€œI donā€™t know ā€œprofundity.ā€

Gimme small words. Gimme simplicity.

If I ran a radio network that catered to people who like to think of themselves as smart, I might view this differently.

But Iā€™m a marketer. And I help people deliver their stories clearly and concisely. So prospects get it. So prospects respond. So prospects buy.

Marketers donā€™t want prospects to think, ā€œWhat the heck does that mean!?ā€ Thatā€™s bad for sales.

So when you write your business stories, when you write sales copy, look out for those big words. Get rid of ā€˜em — unless no other word will work.

Thereā€™s often a simpler word. A shorter word. A more widely-known word.

In most cases, you can find a simpler, shorter, widely-known word that means the same as the big word. The small word paints the same picture, tells the same story.

And because itā€™s a small word, not a big word, more people understand the story. Fewer people will say ā€œWhat the heck does that mean?!ā€

Thatā€™s the point. When you tell a story, you want it to connect.

Don't go away yet..

p.s. Coaches, authors, and consultants hire me to power-up their creative content and storytelling to captivate prospects, stand-out and book more business.

Whenever you're ready, here are several ways I can help you become a storytelling stand-out so you'll land more clients without pitching and prodding:

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Tom Ruwitch

Tom Ruwitch is the founder and CEO of Story Power Marketing. For more than 30 years, he has helped businesses grow by delivering powerful stories using a variety of different media.